Tag Archives: Dénes Várjon

Our 46th season!

On February 16, 2017 we announced our 46th season!

Season subscription for our 2017-2018 season are now on sale.  Existing subscribers – you should have received your renewal information in late February.  You have until May 31st to renew and keep your existing seats.  Contact the box office at 416-366-7723 if you have not received your renewal information.

Quatuor Mosaïques open our season and our string series on October 19th with their Toronto debut.  Celebrating their 30th season, they will perform Mozart and Haydn on their period instruments.

November 7th will be the opening of our piano series with Benjamin Grosvenor.  This will be Grosvenor’s 3rd recital for us and we look forward to his return.

Another Toronto debut!  The Škampa Quartet perform on November 16th.  This outstanding Czech string quartet has released 15 award-winning recordings and now is your chance to hear them live in Toronto.

Montreal pianist Philip Chiu makes his Toronto recital debut with us on November 28th.

Our annual Gryphon Trio concert will finish out the 2017 calendar year for us on December 7th.

We start 2018 with the Brentano Quartet and soprano Dawn Upshaw performing together on January 11th.

Stephen Hough returns to our stage on January 23rd for our first piano recital of 2018.  He will be playing a number of pieces by Debussy in honour of the 100th year anniversary of Debussy’s death.

The exuberant St. Lawrence Quartet return for their annual visit on February 1st.

Esteemed pianist, Alexei Lubimov will make his Toronto recital debut, at the age of 74, with our February 6th concert.

The Apollon Musagète Quartet return on February 22nd

The Penderecki Quartet join us on March 15th.  This 31 year old quartet has been the Quartet-in-Residence down the road in Waterloo at Wilfrid Laurier University for the past 20 years.

Hungarian pianist Dénes Várjon closes our Piano Series for the 2017-2018 season on March 27th.

And the final concert of our 46th season will be the Toronto debut of the award-winning Schumann Quartet on April 12th.

We look forward to having you join us!  For more information on the individual concerts, please visit our website here http://music-toronto.com/season.htm

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Dénes Várjon

by guest contributor Julie Berridge

Dénes Várjon opens with Beethoven’s Sonata in G Major, Op. 14, No. 2 composed in 1798 and 1799. It’s a lyrical, lively and often humorous Sonata.

Schumann’s Fantasiestucke, Op. 12 is a set of eight pieces, the title of which was inspired by E.T.A. Hoffmann’s Fantasiestücke in Callots Manie. The composition was also inspired by fictional lives that Schumann created based on the real lives of his friends and enemies. For years Schumman developed these fictional characters in his diaries and letters to friends. He then began using these characters in his work as a music critic. In 1837, these characters became the inspiration for Fantasiestucke, Op. 12.

The composition is both passionate and dreamy. It begins with “Des Abends” (In the Evening). It is a “gentle picture of dusk” followed by followed by a parley between passion and dreams. It ends with what Schumann described as the combining of wedding and funeral bells. In a letter to his wife Clara he wrote, “At the time, I thought: well in the end it all resolves itself into a jolly wedding. But at the close, my painful anxiety about you returned”.

Ravel’s Gaspard de la Nuit is Surreal and hallucinatory. It is based on a poem by Aloysius Bertrand which features a mermaid a monster and a corpse.
Gaspard de la Nuit is comprised of 3 movements. The first movement Odine, is the tale of a mermaid who is trying to seduce a man by singing to him about her magical and fantastic would. The man tells Odin that he is married and he rejects her. Odin’s reaction is at first stormy, followed by quiet acceptance and then laughter. All of this is delightfully conveyed by Ravel.

In the second movement Le Gibet, Ravel paints a musical picture of a solitary corpse. The sounding of a B flat throughout the movement sustains the lonely and desolate musical landscape of this piece.

The third movement Scarbo conveys grandeur as much as it conveys horror. In the poem, Scarbo is an evil dwarf who makes frenzied appearances at night, sometimes hiding – waiting to pounce and scare. Ravel captures all of this.

Bartok’s Out of Doors is a set of five pieces, each of which are a depiction of Hungarian peasant life. In these five pieces we hear rocking melodies, drumbeats, and the nocturnal sounds of crickets and frogs.

Bartok fell in love with folk songs when he heard a peasant girl singing a Transylvanian tune in 1904. After hearing the girl, he said to his sister, “I now have a plan. I will collect the most beautiful Hungarian folksongs and raise them to the level of art songs”.

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